arri ultra prime 40mm

Dana Gonzales: For me, large format fits right into the type of aesthetic I am interested in: wide field of view with no distortion and shallow depth of field. Given the setting and the nature of a conversation piece, the fact that most of this episode plays out on the faces of these amazing actors we chose film to capture rich skin tones that can help us create powerful close ups. Ultra Prime Lenses | Lenses | ARRI When Films at 59purchased full-frame cameras there was only one real lens choice, and that was the ARRI Signature Primes. Expert advice and a full range of help and support services come as standard to all our customers. The different focal lengths from 15 - 200 mm capture a scene wide open, while the focus is being shifted (position of camera remains the same). LDS-2 extends the possibilities of lens data and can belicensed to other lens and camera manufacturers. Used ARRI Ultra Prime 40mm T1.9 - PL Used ARRI K2.47317. They gave me good background separation even at T5.6, and the close-ups were just popping out. ARIRAW footage recorded before such an update benefits as well as it can be re-processed through an updated pipeline. This site uses cookies to provide and improve your shopping experience. Cinematographer Julien Hirsch (known for: Lady Chatterley, Un peuple et son roi,La daronneand many more). ARRI Signature Prime lenses enhanced my creativity, adding space to depth of field and body to structure. His weapon of choice was a Rollieflex 2 1/4 x 2 1/4, while ours was the Alexa LF. Director Paul Mignon (known for: Patagonia, Pampa, Norte and many more). The Signatures have become an industry standard in record time. . ARRI Signature Prime 40mm T1.8 - LPL - CVP The Ultra Primes utilize floating elements to achieve exceptional close focus. We can be closer to the action; a physical step that makes all the difference with the classical format I was used to. Super MTF but not too sharp or contrasty. I feel ARRI's Signature Primes are the ultimate set of full-frame cinema lenses. Camera: ARRICAM LT Unser Angebot richtet sich an gewerbliche Kunden, Selbstndige und Freiberufler. Ive loved shooting on RED ever since I graduated from film school and raised funds with my best friends to invest in a RED ONE, so I knew I would feel at home shooting on the DXL2s RED MONSTRO sensor. Lens: Panavision H series. The best prices on used Arri lenses and accessories in the UK and abroad. ARRI Signature Prime 40mm T1.8 Lens (Feet) - B&H Photo Video That form factor also makes it steadicam friendly and allows us to move through sets with our ensemble cast. Australian DP Alexander Leeway crafts unique ARRI Signature Prime looks by using the lenses magnetic rear filter holder on his music video shootfor Phondupes "Silo". Used ARRI Ultra Prime 40mm T1.9 - PL. Used ARRI Ultra Prime 40mm T1.9 - PL - CVP Using ARRI Signature Prime lenses along with ARRI SkyPanel, Orbiter, and ARRIMAX lights, cinematographer Italo Petriccione captured The Return of Casanova, a story with changing time periods and color designs. At this years EnergaCamerimage, ARRI showcased tools and sponsored various educational and social offerings. Super! Format: 3.5 k 2:1 anamorphic All Rights Reserved. Overview; ARRI EF Mount (LBUS) . There is not much out there that even comes close. Idiscovered a new approach in my camera work, a new distance with the people I was filming. James Laxton: Visually it was important for us to give a sense of scale while also emphasizing the intimacy of Coras (Thuso Mbedu) life. Monitors Teleprompters Software & Hardware. ", 15 modern high performance prime lenses (T.1.9), ARRI Ultra Prime 8R, an extreme wide angle lens. Shooting a French miniseries about the Notre-Dame de Paris fire, cinematographer Jean-Max Bernard used ARRI Signature Primes, the ALEXAMini LF, and SkyPanel lights to enhance the firefighters epic. I love the lenses; they strike a wonderful balance between modernity and character. ARRI is releasing Signature PrimeSoftware Update Package 2.1,includingLens Firmware LMCV2.1,Lens BootloaderV1.5 andSensor FirmwareV2.06. The blacks are beautiful, and the lenses are so lightweight; they are the best lenses in the world right now. Because we were filming in the 1960s, I wanted to create a different aesthetic from Season 1. Shooting The Pursuit of Love I found the Signature Primes, in combination with the Mini LF, to be elegant lenses with character and depth. Sign up to receive updates about our services and products. The rigid construction creates the prerequisite for an important advantage: position of the gears for focus and iris does not move axially during focusing. The combination of the large sensor with a custom-made anamorphic lens package from Panavision was the only lens/camera combination that satisfied the need to tell a Star Wars universe TV show with a look that was anchored in the cinematic history of the original films. IndieWire is a part of Penske Media Corporation. Expert advice and a full range of help and support services come as standard to all our customers. MwSt./ex VAT) LEITZ PRIME Cine Lens 40mm, T1.8, metric, PL-Mount 11475-002 Leitz Prime 40mm, T1.8 PL-Mount, metric scale used, sale on behalf of client PC.15.3194 Euro 24.000,00 (zzgl. Covers Super-35 Format; PL Mount; T1.9 to T22 Aperture Range; Geared Focus and Aperture Control Rings; Show More. It allows us to keep the frame, have the actors interact without cutting, and still get close enough to their faces when we needed to. Idesignedshots to lookdirectly into the sun. . Camera: ARRI Alexa Mini Ultra Primes range span from 8R extreme (8mm) wide-angle lens to the most advanced telephoto lens designed specifically for motion pictures, the Ultra Prime 180 (180mm). We frame this in what we call our aspirational look, but we play to story. The timeless look of Signature Primes will never go out of style. We sought to find a mix of these two sensibilities in our visuals. Its also an excellent format for localizing the characters in their environments, which for this show with its two distinct worlds, each in its own way a funny character was crucial. Condition: Awaiting Evaluation **PLEASE NOTE: Condition may vary upon purchase. The 40mm is a mid-range entry in the comprehensive array of Ultra Prime focal lengths from 8mm to 180mm. With a worldwide network of sales, rental and postproduction facilities, ARRI meets the uncompromising needs of even the biggest international clients. The optical performance is superb, even wide open. MwSt./ex VAT) Extreme focal lengths, but just as smooth, forgiving, and easy to work with as the rest of the Signature Prime range.ARRI Signature Primes. It was a perfect fit for our project! What's old is new again! Lens: Leica SummiLux-Cs. prices are subject to change without prior notification. Unfortunately we no longer sell this product The product details shown, are provided for historical reference only. Cinematographer Tey Clamor, LPS (known for: Isa PaWith Feelings, Us at the End of the Year , The Girl and the Gunand many more). I am thrilled by the natural and organic look, the pleasant sharpness without disturbing micro-sharpness, the warm color rendition in combination with very natural skin tones, and the richness of details deep into the blacks. DP Aiden Ulrich chooses ARRI ALEXAMini LFs, Signature Primes, andWCU4s to capture the Khaite SS2022 runway show at New York FashionWeek. In contrast with other ALEXA LF showreels exploring low light and shadow, cinematographer Tom Fhrmann BVK shot a diverse palette of faces and skin tones against a white background. The celebrated cinematographer Roger Deakins CBE, ASC, BSC joins ARRI to give his feedback on ALEXA Mini LF, Signature Prime lenses, and the TRINITY stabilizer, all of which he used on director Sam Mendes new film, 1917., When the ALEXA LF and Signature Primes were launched in Australia, ARRI entrusted the new camera and lenses to cinematographer Kieran Fowler NZSC, ACS and director Nik Kacevski. Learn more: https://www.arri.com/largeformat, For this inspiring short film on loss and friendship, cinematographer Logan Schneider paired the organic, silky nature of Signature Primes with ALEXA LF for unprecedented clarity to humanize a robot and immerse the audience. ". Discover how retro filmmaking techniques such as nets, and diopters can help you customize the look of your Signature Prime lenses. with a front diameter of 95mm and close focus at 1 1/4'. Format: 6K resolution, 2:1 frame ratio, spherical format With large format I am getting images that are halfway between spherical and anamorphic, which fits certain narratives beautifully. Lens: ZEISS Supreme Prime lenses, Format: Arri Raw Cinematographer John LeeBSC (Known for: "The Singapore Grip", "Barkskins", "Baptiste", "TheWidow" and many more). Timeless look. I was certainly inspired by many period films that have come before, Barry Lyndon of course as the gold standard for its incredible natural light, but also the lush, swooning paintings of Edmund Leighton. HOME I CAMERAS I CAMERA ACCESSORIES I LENSES I GRIP & SUPPORT Watch for yourself and be inspired. Mark Doering-Powell: Grown-ish follows Zoey (Yara Shahidi) navigating her college years with a new group of friends. Angenieux EZ-1 30-90mm T2 S35 Cinema Lens, Angenieux EZ-1 45-135mm T3 FF Cinema Lens, Angenieux EZ-2 15-40mm T2 S35 Cinema Lens, Cooke S7/i 18mm T2 Full Frame Plus Primes, Cooke S7/i 25mm T2 Full Frame Plus Primes, Cooke S7/i 32mm T2 Full Frame Plus Primes, Cooke S7/i 40mm T2 Full Frame Plus Primes, Cooke S7/i 50mm T2 Full Frame Plus Primes, Cooke S7/i 75mm T2 Full Frame Plus Primes, Cooke S7/i 100mm T2 Full Frame Plus Primes, Cooke S7/i 135mm T2 Full Frame Plus Primes, Tilta Nucleus M FIZ Wireless Follow Focus. Sign up for newsletter today, Copyright 2019 Lemac Films Australia PTY LTD |, https://www.lemac.com.au/site/DefaultSite/filesystem/images/rentals/up-set-2.jpg, 16mm, 24mm, 32mm, 50mm, 85mm, 100mm, 135mm, 16mm, 20mm, 24mm, 28mm, 32mm, 40mm, 50mm, 65mm, 85mm, 100mm, 135mm. By continuing to use this site, you agree to accept these cookies. The Ultra Primes were developed through a collaboration between ARRI and Zeiss, with Zeiss undertaking manufacturing. I wanted a new look, but not overly vintage. From fashion commercials to series teasers, cinematographer Michele Brandstetter de Bellesini chooses to work with ARRI ALEXAMini LF, ALEXAMini, Signature Primes, TRINITY, and SkyPanel. However, they give you such a powerful and discrete softness around edges that its sometimes hard to believe what youre looking at, even when you use them wide open. Being made of magnesium they arenice and light for handheld work, whilst maintaining a fast, uniform speed across nearly all the range. I enjoyeddoing the DI for 'Jingle Jangle' creating SDR & HDR masters. The camera and lens captured every tonal nuance with unmatched detail, gradation and color. The movie was captured with an ALEXA Mini LF and ARRI Signature Prime lenses supplied by ARRI Rental. 16 high performance prime lenses offer the widest set available: from the Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want. I was really interested in the unique focal lengths that the Signature Primes offered. We develop our own Software Development Kit (ARRIRAW SDK) for processing ARRIRAW data to RGB images and talk to 3rd party vendors to ensure support in their tools. ARRI Signature Prime 200/T2.5 Oscar winners including Dune, CODA, The Power of the Dog, and Drive My Car were captured using ARRI technology. ", Exceptionally soft bokeh for increased sense of separation, Unparalleled flexibilitywith magnetic rear filter holder, No visible focus breathing and no distortion for easy tracking, Minimal chromatic aberration for a perfect key, Optimal results with all sensors due to near-telecentric design, New mechanical design concept for easier service, Covering all image circles up to large format 46mm, Backwards compatible with PL-mount lenses through rock-solid PL-to-LPL Adapter, Endless scope to create unique looks that are consistent across Signature Primes and Zooms, Enhanced production value without additional cost, Fast and easy changes of look, with no tools needed, Whatever customization is used, the lens itself remains unchanged. And the best part is how skin tones look. Cinematographer Daria dAntonio shooting The Hand of God. We made the sets 360 degrees, with lighting integrated into the ceilings so we could look in any direction. . 2023 DigiBroadcast. Modern lens. ARRI Ultra Prime 40mm T1.9 Lens (PL, Feet) B&H # ARUP40T19F MFR # K2.47329.. Key Features. Baz Idoine: We extensively tested a wide range of cameras, sensor sizes, and lens combinations (spherical and anamorphic). I loved the large aperture, the shallow depth of field, and the way it produces a cinematic look and feel. Speak to us today about your requirements. As a rental house owner the artistic attributes of the Signatures and the fact that they are LPL-mounted and ARRI-branded make them a solid investment. Used ARRI Ultra Prime 40mm T1.9 - PL - cvp.com The Signature Primes look very nice. David Franco: Trying to emulate the feel and texture of that time period (1930s), I decided to use anamorphic to embrace the diffraction and softness of the lenses. The Signature Primes are wonderful lenses. The 94th Academy Awards recognized many outstanding films. They are modern and yet have character. Overview; ARRI Anamorphic Ultra Wide Zoom; ARRI Ultra Wide Zoom; Lens Mounts & Adapters. The balance of attributes in their optical design is staggering: super high resolution combined with a soft and easy-going presentation of detail; gentle flare and bokeh qualities; a cinematic attention to geometry; great close focus; lack of breathing and zero axial chromatic aberration. After doing a lot of tests, I chose the Signature Prime lenses, because they give me more freedom and preserve the structure of a large-format portrait that our film needed. Quite frankly, the quality blew me away. X. For ARRIs contributions to the industry, the company received the Philo T. Farnsworth Corporate Achievement Award at the 74th Engineering, Science & Technology Emmy Awards. ARRI has shared LPL specifications openly and free-of-charge across the industry, establishing the LPL lens mount as a standard interface between cameras and lenses. Camera: We upgraded to the Sony Venice on Season 4, after using the Sony F55 for Seasons 1-3 The large format of the Alexa LF gave us both of those as a foundation for our images. For this reason, I chose the Zeiss Supremes and shot them fully open at T1.5 to create a polished cinematic look, but not too sharp and digital. Signature Primes are the closest lenses to how I see things in reality. For example, one act ending had Zoey in a tiny prison cell, and its hauntingly sad for the brief moment we could show it. Camera: ARRI Alexa Mini LF For me, they are the perfect tools for the ALEXALF camera. Find out how these modern lenses have refined the art of visual storytelling. ARRI | Ultra Prime Lens Exceptionally compact and lightweight ARRI 8mm Ultra Prime Lens retain its superior image quality even at close focus across the whole Super 35 frame. The strength of this series is our characters tackling these hard conversations, head on. Rather than shoot on vintage glass, which can be cumbersome and impractical on a tight television production schedule, Guy was able to tweak the internals on the lenses to emulate the characteristics of those touchstone films, softening highlights, adding bloom, and warming the flares. 6,500. Combining the Alexa with the Zeiss lenses was exactly the formula for Fargo Season 4. Initially that was what attracted me, but once I started using the lenses, I have been amazed at how they render skin tonesand color in general. The first anamorphic studio movie was How to Marry a Millionaire (the second was Ben Hur). Wow, what a beautiful lens, brilliant skin tones! Learn more: http://www.arri.com/largeformat, Tom Fhrmann BVK uses ALEXA LF and ARRI Signature Prime lenses to document the creative preoccupations of an architect, which bear striking similarities to those of a cinematographer: light, texture, detail, and the expression of emotions through practical skill.
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